January 20th, 2012

stopdropandvogue:

Alexander McQueen, “Untitled”, 1999

Shalom Harlow walks in a white plain dress, presuming the pureness of the canvas that invites a couple of robotic arms to shoot paint while she spins in a theatrical performance. The encounter between histrionic humanity and technologic innovation seems to be the shock tactic of the piece, while its form -live creation in front of a public expecting finished products instead of creation processes- results impeccably controversial.

(via torporcelain)

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  6. mini-mags reblogged this from doomgloom and added:
    This is the show that completely changed how I perceive fashion.
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    ew I don’t like this. It’s almost perverse
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